Overview of the plugin, applying and configuring looks. Walker will be layering multiple plugins and effects to bring your imagery to life.Ĭlass 1: Magic Bullet Looks (part 1). While the class listings focus on specific plugins, don’t be fooled by the simplicity. The presets in each plugin have been crafted by professionals who use these techniques on high-end production work, and we’ll be covering how to further tweak these settings to create your own custom effects.Īnd as the weeks progress, Walker will also show you the key parameters in each plugin to adjust, to get the fastest results, whilst also showing you useful Final Cut Pro training tips and shortcuts along the way. You’ll precisely grade and colour-correct clips, keep flesh tones accurate, design custom and stylised looks, animate 3D swirls and shapes, add light rays, glows, highlights, perspective shadows and reflections, as well as compositing elements into existing scenes and quickly set the mood of your piece.įrom a productivity point of view, all these effects will be achieved from within Final Cut Pro, which really speeds up your workflow and they are especially helpful when you’re on a deadline. Taught by Apple Certified Master Trainer Simon Walker, this course is aimed at Final Cut Pro editors who need to improve and enhance footage, add flourishes, stylise shots, and perform post production and compositing tasks, all on a deadline covers the key plugins from Red Giant Software that will help you deliver technically proficient and high quality work. We’re excited to partner with Red Giant Software and their Red Giant University program to bring you our first course focused exclusively on using their plugins. But there’s not always the time (or the budget!) to switch over to your favourite graphics or grading program to complete the job, and it’s not always practical for the modern editor to become the master of multiple programs to be able to complete their work. With the advance of computing power and software capability, the offline and online edits have merged to become the craft edit, where many shots are treated in situ on the timeline. These days, the lines between disciplines are blurring, and art directors and producers are asking more and more from their editors. To learn more about how fxphd works, visit our frequently asked questions page for details about our program.Īs far as the specifics about the new Reg Giant Plugins course, here is an overview and course outline: For a full listing of our courses this term, check out our course listing page. We also have over 30 repeat courses, so we have a huge variety of offerings this term. This course is on top of new After Effects, Premiere Pro, Cinema 4D, Nuke, Vue, RealFlow, DOP Grip, DSLR Cinematography, Smoke/Flame, and Lustre courses. Members who are taking the course will also have access to a special offer to get the plugins into their hands at a great price. They’ve helped us find a great professor, Simon Walker, for our new Red Giant/Final Cut Pro combo course covering using the plugins to make footage look great. So I’m especially excited to say that we have a new partnership with Red Giant Software as their first Red Giant University training partner. I’ve been a huge fan of Red Giant plugins over the years, frequently turning to Trapcode, Particular, Magic Bullet Looks and now Grinder to help me make great looking imagery.
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